9 exhibits like Fleabag that you need to see in case your into Fleabag

Despite the fact that Fleabag, the work of Phoebe Waller-Bridge, ended after two seasons in 2019, I still think about (and visit) about it quite a lot. If you’re anything like me, you’ll find it hard to fill the void left by a beautiful show that features everything from hot priests to penis walls to a deliciously rude Olivia Colman.

While you can always take care of it by calling the above priest (Andrew Scott) and trying to convince yourself it’s over, you can also check out some of TV Guide’s recommendations for the best shows you might remember Fleabag, from another TV project by Waller-Bridge, to tragic comedies with complicated protagonists, to more shows with unique romances.

Looking for more recommendations on what to see next? We have a lot of them! And if you’re looking for more hand-picked recommendations based on shows you love, we have these too.


Where to see: Netflix

Phoebe Waller Bridge, crash

This is a gimme, but the first thing to do when looking for more of Waller-Bridge’s unique voice is crashing. Before Fleabag, the six-episode series revolves around the relationships and romantic entanglements of a group of twenty people living together in an abandoned hospital. Waller-Bridge not only creates the series and writes every episode, but also plays Lulu, the fleeting childhood friend of another resident who disturbs everything when she arrives, and Jonathan Bailey of Bridgerton, who as sex-obsessed Sam plays along with the complexity of his sexuality in the Course of the episodes. It’s definitely less polished than Waller-Bridge’s later work, but it’s a fun, simple watch that clearly lets you see what makes Fleabag so special.

You are the worst

Where to see: Hulu

Aya Cash and Chris Geere, you are the worst

Stephen Falk’s FX series follows the triumphantly chaotic development of the relationship between Gretchen (Aya Cash) and Jimmy (Chris Geere), two generally unhappy, suspicious people who fall in love despite their reservations, emotional constipation, and separate personal demons. There are so many things to love about You’re the Worst: It’s extraordinarily funny and smart, it takes the realities of clinical depression thoughtfully and carefully, and its supporting characters, Kether Donohues Lindsay and Desmin Borges’ Edgar, are Just as lovingly written as Gretchen and Jimmy, but what Fleabag fans are most likely to get excited about is Gretchen herself. Similar to Fleabag, Gretchen is bitterly sarcastic and makes bad decisions almost annoyingly, which causes anger as if it were her job, but Cash’s dedicated, empathetic performance is reminiscent of Waller-Bridge’s in that even in her deepest moments it is difficult not to root her, or at least see you in her. Her recklessness is part of what makes her adorable, and her arc over the course of the show’s five seasons is amazingly human. There’s probably an alternate version of this universe where you’re the worst and Fleabag did a 90s-style crossover episode in which Fleabag and Gretchen realized they were long lost cousins ​​and then caused a lot of problems together . This is the utopia to which I transport myself instead of meditation anyway.


Where to see: Amazon

Sharon Horgan and Rob Delaney, disaster

The love story between Fleabag and the Hot Priest (™) will no doubt go down in TV history as one of the most impressive and memorable of all time, and if it’s more of what you’re looking for, Catastrophe should be your next watch. Co-creators and co-authors Rob Delaney and Sharon Horgan star as the easy-going Rob and the sardonic, disaffected Sharon, two single people who fall into a relationship after a brief affair and make Sharon pregnant. Recalling Fleabag’s second season, when Fleabag and the priest experimentally explored their remarkable bond, Catastrophe is the kind of show that celebrates the joys and frustrations of unexpected romance. Disaster tells us that love is not easy, but it is worth having if you can find it. If all that wasn’t enough, the late, gorgeous Carrie Fisher is the show’s answer to Olivia Colman’s godmother, who keeps making up as Rob’s eccentric, judgmental mother.

I can destroy you

Where to see: HBO max

Michaela Coel, I can destroy you

If Fleabag is much about the stony path that comes with healing from trauma, I can destroy you. They adopted this concept and ran away with it. Michaela Coel’s dark and deeply personal masterpiece digs from her real-world experience to tell a story about the consequences of sexual assault. Similar to Fleabag, Coel’s protagonist Arabella is strong-willed but completely lost in the world. In episodes, she experiences the full, difficult spectrum of emotions and reactions as she struggles to stay afloat, while struggling to put the night of her rape back together. In some episodes she presents herself as hardened and wise; in others it collapses completely. After just one episode of I May Destroy You, it becomes immediately clear that Waller-Bridge and Coel have very similar creative styles. Both thrive in the brain and share a talent for writing (and depicting) difficult women and presenting them to the audience, the warts, and everyone else.

I hate suzie

Where to see: HBO max

Billie Piper, I hate Suzie

Billie Piper has dual duties as the co-creator and star of I Hate Suzie, a brutally hilarious series that follows the decryption of Piper’s Suzie Pickles, an actress whose personal and professional life spiraled out of control after her cell phone was hacked and photos leaked so that the world can see it. The show is so reminiscent of Fleabag that it doesn’t shy away from the darker qualities of its protagonist and the desperation she often feels in struggling to regain some semblance of normality while dealing with such an amazing invasion of privacy. It’s not always an easy watch, although I’d bet that if you like Fleabag you aren’t someone who shies away from the more worthy aspects of life.


Where to see: Hulu

Zoë Kravitz and David H. Holmes, High Fidelity

Not many shows can break the fourth wall as skillfully as Fleabag did, but High Fidelity is one of them. Zoë Kravitz, a TV adaptation of the 2000 film of the same name, takes on the role of the disaffected record store owner Rob, previously played by John Cusack, and it doesn’t take long before she looks straight into the camera to get us off to share about her five greatest heartache conditions of all time. As the show progresses, she slowly begins to spin, her carefully constructed walls begin to crack, and in the spirit of Fleabag, she invites the audience to partake in her pain (and sometimes the comedy born of her pain) and address us directly.

Mrs. Fletcher

Where to see: HBO max

Jen Richards and Kathryn Hahn, Mrs. Fletcher

If you quit Fleabag and thought, “This is good, but I want more sex,” look no further than Mrs. Fletcher. Based on the novel of the same name by Tom Perrotta, Kathryn Hahn plays the title woman Fletcher, a divorced woman who tries to get her groove back, so to speak, when her son goes to college. Part of what made Fleabag so alluring to so many people was the way it represented desire in all of its many forms: desire for love, desire for self-actualization, desire for a good relationship with your sister, and that Ultimately, Mrs. Fletcher is all about. It’s about how people want things and how that desire can change the course of your entire life.


Where to see: Hulu

Lakeith Stanfield, Donald Glover and Brian Tyree Henry, Atlanta

Donald Glover once said that after spending a full night with Fleabag, the next day he worked on his FX series Atlanta and directed all of his typing staff to do the same. It makes sense: Atlanta is every bit as original, if not weird and experimental, as Fleabag, and these two shows share all kinds of DNA. Atlanta stars Glover Earn, an aimless, cynical college dropout who turned music manager and worked overtime to start his cousin’s (Brian Tyree Henry) rap career. Earn hectic hectic time and again, often without success, and get up briefly and then return to where it started. Like Fleabag, Atlanta is about finding a place for yourself in a cruel, unforgiving world. Unlike Fleabag, there is an episode that takes place at a juneteenth party.

Russian doll

Where to see: Netflix

Natasha Lyonne, Russian doll

Sounds a little worse than being stuck in a time warp and being forced to relive the same day over and over again? I honestly don’t think so. This Groundhog Day effect is the premise of Russian Doll, who was co-designed and starred by Natasha Lyonne as Nadia. This woman is doomed to repeat the day of her 36th birthday party over and over and to die at the end of the night wake up the next morning completely unharmed. The anti-heroines of Lyonne and Waller-Bridge share a bitter joke, and although the worlds they find themselves in are very different, Fleabag fans will immediately see references to Fleabag in Nadia as she struggles to figure out why the universe seems to have turned against them.

Comments are closed.